Saturday, 24 December 2016

Improved Shooting Schedule


How we improved from the original shooting schedule
  • We increased times between each shot to allow us more time to get the perfect clip, and because it seemed unrealistic to create some of the shots in the time slot given.
  • We also added extra instructions for us to look at in order to make it easier for us to stick to the timelines.


Monday, 19 December 2016

Shot by Shot list Thriller Opening Sequence

00.00 Medium shot of car driving past from right to left
00.05 Over the shoulder car shot moving forward
00.10 Medium two shot of father and son in car
00.14 Close up of car rear with focus on the boot
00.20 Close up of sons face
00.27 Drone bird eye view shot of car driving off road to the left
00.33 Wide shot of car rear as father and son leave the car simultaneously
00.36 Over the shoulder shot of father walking round the car from side to rear
00.41 Wide shot behind backs of dad and son whilst father looks at body in boot and son looks at dad
00.53 Medium-close up of son with outstretched arms. Gun is outside of shot
00.59 Wide shot of father and son behind the car
01.04 Close up of son
01.09 Close up of Father
01.12 Close up of gun dropping
01.15 Medium shot of father, extended camera time
01.22 Close up of phone ringing
01.31 Close up of Boss, on the phone
01.41 Over the shoulder shot of boss getting up and crossing out picture
01.47 Low angle wide shot of boss sitting back down
01.50 End

Sunday, 18 December 2016

StoryBoard Effectiveness

After creating a storyboard it has allowed us to create a crystalline idea of how the scene will be captured and it forced me to think about the separate shots of our scene, meaning that it has given us an idea as to how our scene will look when on paper. We have chosen certain shots, such as, low angle shots to show power, in order to create certain states for the audience to empathise with to create tension. After completion however, there are certain things in the storyboard such as the last four shots which have been cut and replaced for an office setting however the actions are the same. Therefore we have substituted our original scene idea for new shots after putting the scene down on paper.

Wednesday, 12 October 2016

Feedback From Class on Presentation

Feedback:

- Classmates said the Prezi was unclear and not cohesive and therefore made each bullet point of the opening sequence seem like a different scene. 

-They also said after they saw the story board it helped to clarify the main features of the sequence and helped them to understand the idea.

-Additionally, they also elaborated that they extremely liked the idea of the cross cut to the mafia boss in a different location to show his superiority. This therefore showing that the two mafia workers (part of the family) shown in one of the cross cuts are clearly working for the mafia boss, giving the basis of the rest of the film.

-After receiving the valuable feedback we will edit our Prezi and even add additional detail, making it much clearer and cohesive including all of the camera shots, editing techniques, mise-en-scene and sound.

Saturday, 8 October 2016

Sweding of the film "The Shawshank Redemption"

How to make a sweded film.

To make a seeded film you must choose a film to copy then learn all the dialogue and acting in order to film it again as if it was a filming of the real film. We decided to recreate a scene from the film shawshank redemption which is a drama thriller film which proposes emphasis on the dialogue which had a lot of meaning in each scene. Therefore it was helpful to copy this scene as it gave me a better understanding of the effects a good script can have.

Tuesday, 4 October 2016

Opening Sequences To Films

First Things seen in the opening sequence to a film.
  • Title
  • Credits
  • Character introduction
  • Elements of the genre and narrative.
  • Atmosphere of the film
  • Establish the location.
Girl with the Dragon Tattoo Title Sequence Example
  • Dark themes
  • Fire
  • Credits
  • Harsh sounding music with crashing themes - Led zeppelin 
  • Black represents death
  • Violence seen
  • Eagle on fire
  • Narrative snippets shown
  • Mysterious
  • Black ink heavily linked - Tattoo holds importance
  • Technology seen - hacking
The Discrete Title Sequence - A form of a title sequence in a film like a mini film before a film which reveals some information about the film such as the themes and the characters. This can set the tone of the film

Traditional Opening Sequence (Drive)
  • Scene with credits running through
  • Starts with the Title appearing
  • Shows the setting
  • One character is shown - Suggests they are the main character
  • Theme shown as driving
  • Over the shoulder shot - shows everything ahead of the driver, suggests that the driver only focuses on the road 
  • Slightly stylised however the title of the film has a font which will reflect the genre and sound creates a mood
Straight into the Film (Scream)
  • Goes straight into the action
  • Doesn't have extra title credits
  • Doesn't introduce the characters
  • Most commonly seen in horror films - Wants to scare you straight away
The Stylised Opening Sequence (Mesrine: Killer Instincts)
  • Sets the tone of the film
  • Introduces the characters
  • Introduces the title of the film
  • Credits
  • Effectively combines all title sequence techniques into one
  • Contains stylish and creative elements
Art Of The Title - 11.22.63



This opening sequence is a descrete title sequence and it does extremely well at getting its message across to the audience of the tone and plot of the series. From the outset we enter a magnifying glass which immediately informs the audience that this series involves investigation of some sort. The non-diegetic music sets the suspenseful and tense tone as it plays through the opening sequence. We then proceed to see a continuos reel of switching images which suggests the plot, we also see red strings coming from each image or location seen suggesting they are all connected. Newspaper tabloids are seen stating "Kennedy killed" which reveals the subject under invention is the death of Kennedy. The clock seen proposes that time is a big factor of this tv show and suggests a possible race against time or time travel. The lighting is very dark and mysterious and this contributes to creating the tone. The last image seen is a sniper which tells us that there is violence seen and the gun then extends out with string to a date in the middle of many more strings, which shows that everything seen plays a part in what happens on that date. It also puts emphasis on the date as it is in the centre of everything.

Saturday, 1 October 2016

How is Age represented in the opening sequence of Skins?

In the opening scene of Skins age is represented in several ways through the critical use of editing techniques. For example, the montage of tony’s wake up routine reflects his age positively as it shows that he cares about his appearance and that he is healthy, which is a juxtaposition of the common stereotypes around teenagers of being lazy, messy, and typically unhealthy. The use of cross cutting between Tony in his room and Effy outside the house connects them through their mischievous actions, therefore negatively highlighting their youth. An eye-line match is seen when Tony is looking at the naked women across the street, from this is it seen that tony’s interests are surrounded by sex negatively presenting him as young and lustful as compliant with the typical age stereotypes of teenagers being obsessed with sex. The use of match on action from Tony’s dad kicking the toilet door to Tony flushing the toilet, conveys the dad’s immaturity through his use of anger and violence suggesting he's going through his mid-life crisis, however Tony is seen to be clean as he cleans after himself which is a juxtaposition to his dad, therefore his dad is reflected negatively with age whereas Tony is reflected positively. 

The use of mise-en-scene portrays Tony as the counter-typical teenager whereas Effy and Sid are seen to be stereotypical teenagers. The beginning of the sequence we see Tony’s room to be  clean and organised, therefore he is positively represented for his age, whereas Sids room is seen to be messy with clothes and cigarette buts all over the room, while Effy’s room is dark with clothes all over the bed. These both comply to the stereotypical teenage rooms of being untidy and unorganised which is a stark contrast to Tony’s portrayal. The contrast in age representations is seen through the colours of Tony and his dad’s boxer shorts, Tony’s being white which connote to purity therefore he is being portrayed positively according to his age. Whereas his dad’s are red which connotes to anger and violence therefore his dad is portrayed negatively and stereotypically to be a man during his mid-life crisis to be short-temper and unsatisfied with life or his family. A final observation to be said is that we see Tony on the toilet reading a book called ‘nausea’ a book about the reasons behind war while sitting in the thinker pose, which positively represents Tony to be intellectual and well read, which is a counter type towards teenagers, who are stereotypically not well read or intellectual and whose interests lie in social media and not literature.

Another way that age representations are put forward through skins are in the use of camera shots. The first shot of Tony in his bed is a medium close-up which reverses out to a birds eye-view of his room to show him awake. This gives the impression that he is well organised as he is awake before his alarm goes off, also presenting him as self-reliant which is unusual for a teenager therefore Tony is presented as a counter-typical teenager in this way. An over-the-shoulder shot is seen over Tony’s shoulder in the direction of the naked women which suggests that Tony’s thoughts revolve around sex therefore he is being highlighted in a negative light as a stereotypically horny teenager. The low angle shot with Tony in the foreground and his dad in the background portrays Tony to bare more power than his dad as he appears before him in the shot. This represents his dad as stupid and a fool whereas Tony is presented as being intellectual and able to make a fool of his father showing that he has wit. While this positively highlights Tony as a juxtaposition of being stupid like common stereotypes, it also highlights his immaturity therefore he is negatively portrayed as a teenager who likes to embarrass his elders, showing his lack of respect commonly found amongst teenagers. His dad on the other hand is seen to be weak and stupid, which is a contrast to common middle-aged men, therefore he is presented as a negative counter-type. The contrast between Tony and Sid is seen at the end of the sequence where a birds eye-view of Sid’s room is shown, where it is messy with various items on the floor and bed, therefore their contrast in rooms reflects their contrast in personalities, as Sid is immediately seen as a teenager in a messy room, while Tony is seen in an organised and clean room, unlike Sid who is seen to be the stereotype.


Finally, the use of sound is a further technique sampled in order to represent age in certain ways. For example when Tony wakes up and starts working out the non-diegetic music plays which is quite erotic therefore suggesting that Tony is sex-fueler like most teenagers. When Tony turns on his speakers a diegetic synchronous sound is heard of heavy rock music which is commonly associated to rebellious teenagers. The diegetic sound of Tony’s dad shouting portrays him negatively as violent and quick to temper, traits stereotypically found in men going through their mid-life crisis. A juxtaposition is seen between Tony and his dad when Tony is using the toilet when his dad needs it, the audience hear a diegetic sound of his dad screaming and struggling to form a sentence using multiple swear words for the use of fillers, whereas Tony is able to string a sentence with ease. This portrays his dad as stupid and negatively, whereas Tony is seen contrastingly as intelligent. 




How is gender represented positively and stereotypically in the opening sequence from Skyfall?

Gender is represented both positively and stereotypically in the opening sequence of Skyfall. This is done through the use of mies-en-scene For example we see the wing-mirror smash while Moneypenny is driving which presents the stereotype that women are bad drivers. In contrast we see Bond as the action hero as the lighting is dark to start with which evokes suspense, combined with the smart clothing which is conventional for an action film. The stereotype of men being in control and women being at their service is seen where Moneypenny is waiting outside the building Bond comes out of and picks him up in the car, she is at service to him. Women being stereotypically useless and in need of protection is portrayed where Moneypenny is constantly in the car which protects her on all sides with bullet proof windows whereas bond follows the unknown antagonist on a bike which renders him defenceless. However gender roles are challenged when we see Moneypenny punch out the shattered window of the car as it suggests that she still maintains some control and she is not a fragile being that gender stereotypes proclaim her to be.

Furthermore sound is used effectively to represent certain aspects of gender role while also challenging them. There is the constant diegetic sound of the voice over of M, which suggests that she is the boss, therefore challenging the social perception of men being in power. However the diegetic voice over sounds quite cold-hearted and masculine, meaning that in order for women to be in charge they have to be like men and therefore proving the stereotype of women who are feminine cannot be in charge. The opening sequence constantly uses the diegetic sound of Moneypenny asking for instructions, this reinforces the gender stereotype of men being in power as it is often the office man who instructs her, while also portraying women as useless. Whereas the non-diegetic sound of the music combined with the synchronous sound of the motorbike in the bike chase scene strengthens the idea of Bond being “The man” as motorbikes are perceived as masculine.

The use of camera techniques also portray gender stereotypes and positivities. The sequence begins with a tracking shot of Bond which gives the impression of someone always following him, therefore complying with the action conventions, this portrays Bond to be the action hero of the film. We also see a wide shot of the headquarters which is shot from behind the back of M, which gives the impression that M is in control of everything in the building, therefore contrasting from general gender role receptions of the man being in charge. 


Gender roles are once more fulfilled by the editing techniques used in the opening sequence. W first see an eye line match towards the computer in bonds vision, which suggests that Bond is of main importance, just like an action hero as this complies to the action/thriller conventions. The use of cross-cutting, which cuts between Bond and Moneypenny in Istanbul and M in England contrasts from stereotypical gender role perceptions as it shows that M still holds importance when in a completely different continent to the action, therefore it challenges the idea of men being the most important. Quick cuts are used to reinforce James Bond as the action hero as it makes the scene extremely fast paced.

Pray Media Coursework Analysis



I liked the close ups and tracking shots of the main artist singing and spray painting on the walls, and the location really captures the idea of rebelling against norms and the system. The artists image is displayed as being the rebel and leader of a gang, this is show using a mid wide shot to capture the artist and her fellow members of the group behind her watching her as if to copy her actions. The narrative is extremely subtle however it could be interpreted as being the leader of a group rebelling against society, through us seeing her anti social behaviour of graffiti and skateboarding inside. The genre of the song being alternative pop is displayed through the alternative style of video following her anti-authoritarian behaviour. Through this video I've been inspired to shoot different close ups doing different actions which can display our artists image.

Friday, 30 September 2016

Scream Opening Sequence Texture Analysis

Scream Texture Analysis

Mise-en-scene
  • Knives - danger
  • Popcorn on fire - danger
  • Character cries and facial expressions - expresses fear
  • Scream mask - scary face
  • Dark lighting inside
  • Night time outside
  • All white - purest victim
  • Blonde girl dies 
  • Dark costume contrasts girl
  • Lighting changes deliberately to accompany the tone
  • Blood 
  • Phone
  • She dies as the popcorn explodes
  • Glass makes her more vulnerable as she can be watched, reflects her personality.


Camera
  • Tilting shot shows location and vulnerability
  • Tracking girl, shows her importance and her being alone
  • immediate zoom in on her as she becomes scared, conveys her feelings
  • Medium close up, diegetic sound highlights her innocence as she picks up the phone to a stranger.
  • Dutch tilt - shows the scene to be abnormal and the darkness of the night
  • Tracking shot to give the impression that she is being followed

Sound 
  • Diegetic sound of sinister voice
  • Scary movies talk
  • Popcorn sound increasing as tension increases
  • Non-diegetic sound of mysterious music tells us to be scared all of a sudden
  • Non-diegetic sound as she runs along and increases in tempo to match her heart beat
  • Synchronous diegetic sound of the creaking of the swing to show its been moving to tell us someone has been there
  • Diegetic sound of knife sliding out, as horror film is brought up, danger is linked
  • Diegetic synchronous sound - dogs bark at intruders, someone is there

Editing techniques

  • Eye-line match to outside the house
  • Quick cuts increase in tempo to match the sound, heightens the tension and fear of the scene.
  • Pace increases with the tension in the scene, slow pace at the beginning shows her vulnerability and innocence.
  • Match on action, cuts on her moving towards the phone - highlights her naivety
  • Eye-line match of her looking around the porch, she is scared

Monday, 26 September 2016

Kill Bill Vol II - Mise-En-Scene/Sound Techniques in the two Coffin Scenes.


The character of “The Bride” is represented as being hopeless in scene one through the use of sound and mise-en-scene. This is conveyed with the colour scheme being black and white, which portrays the idea of “The bride”’s life coming to a close as the colour black connotes death and the lack of hope. Whereas in the second coffin scene the colour scheme switches back to full colour representing the new found hope and it symbolises how her life isn't ending as there is no more black schemed image. Another difference in the mise-en-scene between the two coffin scenes is that the actor seems terrified in the first scene using struggled movement and shocked facial expression to reflect a terrified characteristic. However, in coffin scene two the actor is portrayed as being calm and collected with the lack of useless movement and her lack of expression, which gives a serious and determined look throughout most of the scene.

In these scenes, the difference in sound techniques between the two scenes symbolises the changing emotions of “The bride”. For example in the first scene, there is the frequent use of harsh diegetic and synchronous sounds to portray her panic, which is mostly done through the use of the music, which is non-diegetic however, with a loud drum beat to symbolise a heart beat. Contrastingly the music in the second scene increases in frequency as the scene progresses to represent how the chance of escape increases, this also coincides with the actions of the scene as “The bride” is determinedly pounding the coffin door to break it which is the method of her escape.
Another instance where sound techniques are manipulated is the use of the diegetic sound of “The bride” breathing. In scene one the breathing patterns are of high frequency and short volume, which represents the alarm and shock the character is in. Whereas in the second scene, her breathing is more calm, and spaced out to reflect her change in perception of the situation and it conveys to the viewers that she is certain about an escape method.









Sunday, 25 September 2016

Skyfall Poster Analysis

Bond is circled and therefore he is perceived to be the main character and protagonist. The colour scheme is black and white, this gives the impression of a crime setting and death. Bond is situated in the centre of the barrel of a gun, this tells us that this film contains guns and violence. The numbers "007" tells us that Bond hardly has an identity rather he is issued a number, therefore it shows how he has a use and from this we can infer that he is an agent. The facial expression Bond is seen to be pulling shows confusion, this conveys the feel of a detective film as he cannot figure out the mystery posed against him.


Saturday, 24 September 2016

Life of Pi Poster Analysis

The background to this poster is seen to be a sky and a sea which combine and never end, this represents Pi's journey in that it seems endless. The lions roar is seen, which shows his expression of anger, hunger, and fear. Pi is seen to be situated on top of the boat while the lion is inside the boat, therefore this suggests that Pi holds more power through the use of levelling. Pi's stance is strong and upright which outlines his masculinity and maturity. The colour scheme of the boat is seen to be alternative from the inside to the outside, which gives the impression of nothing been as it seems. Although small light rays shine through which shows that there is still hope and there is a small chance at survival.


Friday, 23 September 2016

Sherlock Holmes Poster Analysis

In the Sherlock Holmes poster we can see multiple images of different people and items which give the impression of being clues therefore conveys that the film is a detective mystery. The smirk seen on the protruding figure gives the impression that his character is mischievous. The text reading "Nothing escapes them" shows how the film is a chase and therefore its is seen as a detective film as they try to find the criminal. The poster has a jail setting theme, this gives the idea of authority and police, like a detective. The sepia colour scheme tells us that the film is set in the past as this colour is normally associated with photographs taken from old cameras. The bottles on the shelve tells us that there will be a poisoning at some point in the film.


Tuesday, 20 September 2016

Rule of Thirds - Poster Analysis


Harry Potter and the Order of the Phoenix

    Everyones heads are on the top line of the grid to show their importance and bring the focus of the image to their faces.
Harry Potter is separated from the other people by being in the centre third and the others in the two outer thirds, therefore the focus is in the centre thus on Harry Potter who is the main protagonist of the film.

The text of the film “Harry Potter and the Order of the Phoenix” is on the bottom line of the grid to give it emphasis.

The light smoke comes in the middle to reflect hope, which is behind the character of Harry Potter which emphasises that he is the only hope.





Inception
    All the actors heads are on the same line on the bottom of the grid which tells the audience that they are the characters in focus in the film.
The top third of the poster shows buildings that defy gravity and are upside down which informs the viewers that this concept is the basis of the film.

“Your mind is the scene of the crime” found just above the top line to give emphasis to the message this senate gives which also informs us of the theme of the film.

The buildings on the sides all occupy the side thirds of the poster, which surrounds the characters, therefore this derives the message that this concept of buildings is the main idea of architecture is the main idea of the film.





Jaws 

    The sea level lies on the top line of the grid which draws the viewers attention to the girl swimming, portraying the idea that the majority of the film is to do with the ocean and it shows how the majority of the film is to do with what is under the sea as seen in the poster by the underwater taking up two thirds of the grid.

The shark takes up the space of the middle bottom square of the grid, this allows the picture to flow upwards as the viewers focus immediately zooms in on the shark then moves up.

About Me - Jack Zabaroff


Hi i'm Jack Zabaroff, and i am currently studying Media studies as an A-Level; along with Psychology, Maths, and Chemistry. I am taking this subject as I have always had an interest in the media industry. For example I use different types of social media daily, such as Facebook and Snapchat, therefore media takes up a huge part of my lifestyle and time. 

There are also some possible career paths for me in the future in regards of this industry; Director, Producer, Advertising. My three favourite films would have to be 'Inception', 'Fight Club' and 'Pulp Fiction'. These three films are extremely enticing and moreish, while 'Fight Club' is such an ugly and dark film that I idolise it more than enjoy it. My favourite series at the moment is 'The Get Down' which consists of six, hour long, episodes about a set of teenagers and a role model of theirs "Shaolin 007" who all live in the slums of the Bronx in New York and attempt to create their own metaphorical hip hop kingdoms along with the fictional representation of the real life DJ Grandmaster Flash. I enjoy watching this because I have an interest in hip hop and rap music, my favourite artist being Loyle Carner a UK rap artist. Therefore this series appeals to me as it is not only the visual content, but also the audio content I like.